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The Columns of Ancient Egypt

The Columns of Ancient Egypt
by Jimmy Dunn

The Columns of Ancient Egypt

When we think of Egyptian temples, one of the principle architectural elements that comes to mind is the column. In fact, it is difficult to imagine a temple such as Karnak without thinking of its columned halls, and what many visitors will take away with them is visions of pylons, obelisks, statues and columns. Column shafts were often decorated with colorful depictions in painted, carved relief, and remain some of the most interesting architectural elements in Egyptian structures.

Most people who have any familiarity with ancient Egypt will immediately recognize the form of Lotus and Papyrus style columns, but actually not less than about 30 different column forms have been isolated from temples of the various periods. Most of the time, the column shafts were copied in stone of supports made from plants, resembling either a trunk or a bundle of stems of smaller diameter. Also, the shape of the capital, the top of the column, had a plant theme as well, and at the transition of the capital to the shaft, five bands might be found representing the lashing which held together the bundle of stems of which the earliest columns were made. Above the capital, a low abacus usually connected the column to the architraves placed above it. However, there are exceptions to all of this. At least prior to the Graeco-Roman Period, we also find columns with tent pole and the goddess Hathor and other god or goddess motifs.

Actually, the type of column was usually, but not always, dictated by its placement within the temple, and therefore most temples actually employ more than one design. Most of the time, "Bud" style columns were used in the outer temple courts, particularly away from the central axis of the inner temple. "Open" style capitals were most often found in the temples' central areas. However, as time passed into the late antiquities period, there was considerably more variation in these themes. In the Graeco-Roman period, column styles became especially varied, and many Egyptian designs were exported to Greece and Rome, where they underwent further evolutionary changes.

Tent Pole style columns in the Festival Temple of Tuthmosis III at Karnak

Tent Pole style columns in the Festival Temple of Tuthmosis III at Karnak

In the very earliest of Egyptian history, columns were often made from one large monolithic block. However, in all later periods, columns were usually built up in sectional blocks that were then first shaped and then smoothed from the top down. They were then normally painted, and afterwards, were difficult to tell that they were not cut from a single piece of stone.

Major Types of Columns and/or Capitals

Plant Style Columns


Fluted Column

This early form of column first appears in the Step Pyramid enclosure of Djoser, but the form mostly died out by the New Kingdom. However, their use continued in Nubia. These columns resembled and represented bundled reeds or plant stems, but during later periods, sometimes took the form of a polygonal column shaft.

Palmiform Columns

What is probably most interesting about fluted columns in Egypt is that they very probably represent the first columns made from stone in the world. While the fluted columns may have lost their popularity as an independent style many of the future columns incorporated design elementsfrom them, in effect, simply incorporating a more complex capital .

Palmiform Columns


Lotiform Columns

The Palmiform Columns were also one of the earliest styles of columns in Egyptian temple architecture. Examples of this type of column were found, for example, in the 5th Dynasty pyramid mortuary complex of Unas. However, after the 5th Dynasty, these types of columns are rare, but continued to occasionally be used. Mostly we find examples during later periods at the Taharga temple in Kawa in Upper Nubia, and in some temples dating to the Graeco-Roman Period. However, they may also be found in the Ramesseum. There, at the inner side of the court, are two rows of ten columns. The four middle columns in each row are Papyriform columns while the others are Palmiform. These columns obviously had a palm tree motif, but did not actually represent the tree itself, but rather eight palm fronds lashed to a pole.

Lotiform Columns

Lotiform columns were perhaps used in non-secular buildings then in the temples. However, this is not to say that they were not also sometimes employed in religious architecture. The simple, lotus bud form of the column enjoyed widespread use in the Old and Middle Kingdom temples. Its use declined during the New Kingdom, but again found popularity during the Graeco-Roman Period. This column usually has ribbed shafts representing the the stems of the Lotus, and capitals in the form of a closed (bud) or open lotus flower. Just as a side note, Lotus plants specifically are not present in the earlier times of Egyptian antiquity. What we so often refer to as "Lotus" was in fact a type of water lily.

Papyriform Columns

There are several variations in this type of column. Some have circular shafts representing a single plant, while others have ribbed shafts that represent a plant with multiple stems. The capitals could be closed (buds) or open in a wide, bell-shaped form. During the New Kingdom, the shafts of most papyriform columns taper upwards from bases decorated with triangular patterns representing stylized stem sheaths. The earliest examples we know of the circular shaft style columns can be found in Djoser's Step Pyramid enclosure at Saqqara. However, these are not free standing columns, but incorporated into other structures. Though the circular shaft form of the column seems to have been used throughout Egyptian history, they saw widespread use during the New Kingdom, along with both open and closed capital styles.

Papyriform ColumnsPapyriform Columns

We first find the multi-stemmed form of this column employed during the 5th Dynasty, but it was also frequently used during the New Kingdom. 18th Dynasty columns are particularly fine, with considerable artistic detail. They became more stylized by the 19th Dynasty.

Coniform Columns

This column style apparently quickly died out after their use in Djoser's Step Pyramid enclosure wall. It has not been found in later temples. The style is characterized by a fluted shaft surmounted by a capital representing the branches of a conifer tree.

Tent Pole Columns

Tent Pole Columns

Though we probably know of other applications of this style from documentation, apparently the only surviving, known examples are found in the Festival Temple of Tuthmosis III at Karnak. It is possible that very early examples of the style were also constructed of brick. There is little doubt that this type of column made of stone was rare. The column is basically a representation in stone of the wooden "poles" used to support light structures such as tents, and sometimes shrines, kiosks or ships cabins. Why this tent pole design was used is perhaps somewhat of a mystery, though they certainly reflect back on the earliest of Egypt's structures and their wood counterparts. It is sometimes believed that the specific columns in Tuthmosis III temple were modeled after actual wooden poles of his military tent.

Campaniform Columns

Campaniform Columns

Considerable variety existed in this style of columns. They sometimes took the shape of a floral column or pillar. Some had circular, ribbed, or square shafts (pillars). They all had some form of flower shaped capital. Two of the best known of these are located in the Hall of Annals of Tuthmosis III at Karnak. At this temple, the structures take the shape of a pillar. They include two styles of columns, with one representing the heraldic plant of Lower (northern) Egypt, the Papyrus, and the other type representing the symbolic plant of Upper (southern) Egypt, the Lotus. They are positioned symbolically on the northern and southern sides of the hall. Such placement was not unusual, and we see many examples of columns positioned in the north and south of courtyards with northern and southern motifs. These specific types of columns are rare, but their more stylized forms appeared most frequently in the Graeco-Roman Period.

Composite Columns

Composite Columns

These columns were common during the Graeco-Roman Period. Composite Columns were probably an evolutionary extension of the campaniform columns with capitals decorations including floral designs of any number of real, or even imagined plants. Their variation could be endless, and they became so utterly stylized that the original floral motifs could hardly be recognized. In fact, this type of column continued to evolve in Greece and Rome, becoming very different than the Egyptian variety.

Hathoric Columns

No Plant Style Columns

While natural plant columns were the most common in Egypt, other column and pillar types could represent deities or their attributes. Examples of these include:

Hathoric Columns

This type of column never appeared prior to the Middle Kingdom, and probably originated in that period. They are usually instantly recognizable by their capital in the shape of the cow-headed goddess, Hathor. They often had a simple, round shaft. All considered, they were fairly common, and examples may be found in the Temple of Nefertari at Abu Simbel and within the hypostyle hall of the Ptolemaic (Greek) temple at Dendera. The Dendera columns are probably the best known, where all twenty-four columns have the head of this goddess on all four sides. We also know of several other temples with Hathor columns, including the temple of Nekhebet at el Kab. Sistrum columns are also associated with Hathor, but represent in the capitals and shafts the handles and rattles of the sistrum.

Fluted Column

Osiride Pillars

All examples of this type of pillar are engaged, meaning that they are part of another architectural element. They appear to also have originated in the Middle Kingdom, and and take the form of a statue of the god Osiris on the pillar's front surface.

Lotiform Columns Hathor Columns at Dendera
Lotiform Columns Hathor Columns at Dendera
A Closed (bud) Style Capital An example of Open Capital engaged Columns
A Closed (bud) Style Capital An example of Open Capital engaged Columns
Osiride Pillars, normally identifiable by the crossed arms An Open Papyrus Column
Osiride Pillars, normally identifiable by the crossed arms An Open Papyrus Column

Umm el-Baragat (Tebtunis), Faiyum, Egypt


Or Sharm el-Baragat (other spellings include Borigat, Burigat, Briegat) is the name of a village near the modern site of the old town Tebtunis, located on the southern edge of the Fayoum, about one hour drive from the city of Sharm El-Fayoum shares.

It is believed that the city was originally formed in the era of the modern state, although that remains visible to the Ptolemaic Romanian. Tebtunis become one of the largest Greco-Roman cities in the region, through the rest manned the Middle Ages. The town was the site of Tebtunis (Tebtynis) with recently a great deal of reconstruction and consolidation. Has been crowned with low walls, and retaining some original plaster and the remains of paint, to maintain, and there remains a small temple of Soknebtynis ('Lord Sobek Tebtunis'), dating to the Ptolemaic period, Greek.And now covers much of the site by sand, but there is a long-sacred stone paved leading through the rubble to the entrance of the temple, which is guarded by two carved lion statues Greek yellow limestone. On the south side of the temple area, the large number of columns of fine white limestone, from the Greek style, was built in the court on the axis west of the building. The mother of Sharm el-Baragat also home to a large crocodile cemetery where they found more than 1000 mummified crocodiles, and coffins.


Was excavated for the first time signed by Egypt Exploration Fund and the University of California circa 1900. At this time, archaeologists discovered that Egypt was a repository for many of the literature and history in the classical world. He has traditionally been the largest library in the ancient world at Alexandria, unfortunately, badly damaged in Romanian, Christianity, and burning down during the tragic times, the Arab invasion in the 7th century, without leaving any residue. However, archaeologists began working at the end of the 19 th century to search for new sources of old documents, especially from Sharm el Oxyrhynchus and the gift (in middle Egypt) and caches of many of the Fayoum.In Tebtunis, a small temple and a library of the period ROMANIAN found during excavations at a house in the town. These included a group of fragmented papyrus (known as the papyri Tebtunis) many of the documents and literature, medical and administrative as well as the religious texts of the temple.


The grave was found crocodile Greenville and Hunt, excavators nearest the site, while searching for human mummies. In 1900 to find the one factor of crocodile mummies (which was considered worthless) to be wrapped in a sheet of papyrus. Many of the fragments of papyrus Tebtunis now witnessing the restoration operations by the Bancroft Library, whose cataloging digital collection as participants in the application programming interfaces (Advanced Papyrological Information System).

 
In the recent excavations by a team of French Italian, the work done around the temple Soknebtynis ostraka revealed hundreds of papyri and Greek and demotic. They may also regained quarters of the local and the Romanian spa town in the east of the temple.Have been built many houses in the town of mud brick, and their remains can be seen scattered throughout the site. Has been the construction of villas and larger structures more important with burnt brick or stone and many of these were built now.
About 10km from Baragat Umm Mohammed, near the village of Sharm el-Gharaq Sharm el-Sultani, is the site of an ancient papyrus swamp or thicket of Pharaonic times. It is believed that this area may be also the site of a village called Ptolemaic Kerkeosiris (settlement of Osiris), mentioned in the papyrus Tebtunis. It has been said that a number of other ancient villages may lie under the cultivated fields in the surrounding areas or Sharm el-Baragat.
How to get thereTo take the road out of the South Itsa Sharm el-Medinet Fayoum.Behind the village Shidmoh the road forks - the right fork leads to the village of Sharm el-Gharaq (pronounced Sharm Ghara ') and fork left leads first to the village Tutun. Turn right towards the end and follow the canal Tutun Sea Gharaq about 6km until you come to the edge of the desert. Crossing a bridge over the canal and went to the desert towards the village of Umm Abdel Baragat, where they can find on the ruins of Tebtunis.

Alexandria National Museum ,Alexandria, Egypt

Opened in 2003, and the Alexandria National Museum displays some of the artifacts discovered in 1800 and around Alexandria, Egypt. Many of the artifacts by not only on the screen, but hidden in the storage rooms of the other museums.

What to see

The museum is located in the National Palace restoration of Italian style (Al-Saad Bassili Pasha Palace, built 1926) with three floors.

Has been allocated the first level, with walls a dark blue color reflects the Egyptian symbolic of the afterlife, to the Pharaonic era.Before the number of statues of eminent personalities, including pictures of Menkaure (Giza Builder III) and Akhenaton (Amenhotep IV) and the female Pharaoh Hatshepsut. There is also a replica of the attention of the type discovered in the Valley of the Kings, complete with funerary treasures of the mummy and the original.

Mid-level artifacts from the Greco-Roman, Alexandria, where it flourished, such as statues of Greek women and the majestic statue of Serapis, bearded God. Also on this level of exploration under the water on the recent finds of Alexandria, including many of the prominent stone statues.

On the top floor presents the Coptic and Islamic treasures, which shows the rich heritage of these two religions which are still alive and well in Egypt. There are carved symbols of Christ and the Virgin Mary, and tombstones and clothes with silver and gold crosses. Among the most prominent Islamic objects 162 coins minted in Alexandria and religious supplies such as incense burners, chandeliers and pottery.

Muhammad Ali Mosque, Cairo, Egypt

Completed in 1848, the Ottoman-style Mohammed Ali Mosque or Alabaster Mosque is more noticeable in each of Cairo, for more than 150 years it has dominated the skyline.
HistoryMuhammad Ali when he took over the Ottoman 'force majeure in the 1800s that all the buildings from the Mamluk castle was destroyed and rebuilt completely.
The castle today is the vision of the appearance of Muhammad Ali Pasha, and especially the mosque that bears his name. It was built between 1824 and 1848, and domes had to be rebuilt in the 1930s.
What to seeThe law prohibits anyone but the Ottoman sultan to build a mosque and minaret, and one or more, but this mosque has two minarets.This was one of the first indicators of Muhammad Ali that he does not intend to remain submissive to Istanbul.

Turkish mosque in the classic style, which reflects the assets the Ottoman Empire. Cascading domes, slender minarets, the constellation of the world hanging lamps, decorative ceiling spacious and recall all the great mosques in Istanbul.
Interior also reflects some of the effects of the French Rococo, and finished with decorative lines of red, green and gold. There are niche scalloped gold and two platforms (platforms): the one faced in marble and the other, more unusual, in the style of modern art.
Muhammad Ali was buried under a monument of white marble on the right of the entrance behind the grill and bronze.
In the courtyard of the ornate clock made by Louis Philippe in exchange for the obelisk that stands in the Place de la Concorde in Paris. It did not work.
Also in the courtyard is a Turkish Baroque ablution fountain, in which The Rough Guide to Egypt describes as "like a giant Easter egg Holiday "....